Adventurers and cartographers made maps of North America during the Age of Exploration, a period from the 1400s through the 1600s when Europeans navigated and explored the world. Their maps guided further exploration and encouraged European colonization. Driven by desire for wealth, power, and prestige, European nations established colonies in various parts of the world. The Spanish, British, French, and Dutch claimed territories in North America and exploited the indigenous peoples and natural resources they encountered.
The earliest maps were often inaccurate and based on limited information and observations. But their colors, elaborate title cartouches and compasses, and fantastical creatures sparked interest among the wealthy. In some cases, one cartographer’s map resembled the work of another—a result of widespread copying among mapmakers to save time and money.
Theodor de Bry
Americae Pars, Nunc Virginia
Frankfurt: 1590
This map depicts the coast of Virginia (now North Carolina) in 1585, when the British first attempted settlement there. Flemish-German engraver Theodor de Bry featured it in Thomas Harriot’s A Briefe and True Report of the New Found Land of Virginia. De Bry never visited North America and based America Pars, Nunc Virginia (Part of America, Now Virginia) on a manuscript map and drawings by John White, an English artist who, along with Harriot, accompanied expeditions to Virginia. White's illustrations of Indigenous people, plants, and animals were copied by other mapmakers and shaped European views of North America. The vibrant hand coloring was added after the book’s publication.
North Carolina Collection
Willem Blaeu and Joan Blaeu
Virginiae partis australis et Floridae partis orientalis interjacentiumq[ue] regionum nova description
Amsterdam: [J. and C. Blaeu], 1640
This hand-colored map of the southeastern U.S. from southern Virginia to Florida exemplifies how early cartographers appropriated content from other maps for use in their own. The Blaeus based this map on a 1606 map by Jocodus Hondius. Hondius’s work borrows from 1580s surveys and drawings done by artists John White and Jacques Le Moyne as published in Theodor de Bry’s Grand Voyages. The figures in the cartouche are derived from Le Moyne’s/De Bry’s illustrations of Indigenous people in Florida. Other items of note include the royal arms of England and France, although France was no longer in Florida at this time. Ornamental lettering is used to fill in empty spaces in the land and the sea. The map appeared in Theatrum Orbis Terrarum, or Theatre of the Lands of the World, the first modern atlas.
North Carolina Collection
Pieter van der Aa
Partie meridionale de la Virginie et la partie orientale de la Floride
Leiden : P. van der Aa, 1729
Dutch mapmaker and publisher Pieter van der Aa created many decorative maps and atlases. This map covers the Atlantic coast of North America from Virginia’s Chesapeake Bay to northern Florida and is based on a previous map by Arnoldus Montanus. Van der Aa removed most of Montanus’s decorative features and added a cartouche depicting Native Americans and a background scene of a tobacco shed to remind viewers of the wealth found in the region.
Note the pose of the Native American man standing to the left of the title. He is one of many map figures who is portrayed holding one hand on a hip with elbow bent outward, a gesture used in portraits of high-status European men during the 1500s. The art historian Joaneath Spicer described this gesture as “Renaissance elbow.”
North Carolina Collection
Golden Age of Dutch Mapmaking
Mapmaking in the Dutch Golden Age of Cartography was characterized by great innovation and creativity. From the late 1500s to the mid-1600s, mapmakers and printers in the Netherlands developed new techniques for making detailed maps and atlases.
Artful and elaborate decoration were hallmarks of Dutch maps. As shown in this painting by Dutch painter Johannes Vermeer, the public displayed attractive maps in their homes. Vermeer’s paintings often depict maps on walls and globes on tables in domestic spaces.
Officer and Laughing Girl
Johannes Vermeer, ca. 1657
Wikipedia
Johannes Baptist Homann
Virginia, Marylandia, and Carolina: America septentrionali Brittannorum industria excultae
Norimberg?: Johann Baptist Homann, ca. 1730
German mapmaker Johannes Baptist Homann created this map to promote the British colonies to prospective settlers from his homeland. The subtitle translates to “North America Developed the British Industry,” which is consistent with the political and commercial messages in the map. The elaborate title cartouche reflects a European perception of North America as a continent rich with natural resources and Native people with whom to trade. The order of figures suggests a racial hierarchy with an armed European settler at the top followed by people from Asia and the Americas.
North Carolina Collection